MENATONE KING OF THE BRITAINS (6 knobs version)

Mint condition

Handmade in the U.S.A by Brian Mena

Amp simulation pedal based on the 1968 Marshall Plexi circuit

2nd version with 6 knobs made from early 2000 to 2006.

Comes with box. Manual not included

Power gain control works with the gain control to produce anything from vintage plexi to full tilt modern distortion. The pedal's 3 band EQ ensures British crunch at every turn.

Features

All analog circuit

Point to point wiring

True bypass switching

Silver plated, teflon coated wire

Shielded wire from input to output jacks to switch

Only carbon resistors & film capasitors used in signal path

More info & soundclips from the Menatone website

RM850

MOOG MUSIC ETHERWAVE THEREMIN

Brand new
3 units remaining
Comes with instructional DVD & adaptor

Authentic theremin sound, fun to play. This is the instrument that so intrigued Bob Moog that he has spent the last 50 years building the most influential electronic musical instruments in the world. This fully-built instrument is finished in a black, all wood cabinet. Additionally there is a professional model available - the Etherwave Pro. All Etherwaves ship with two video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.

Features
Antennas
authentic shape, nickel-plated 3/8 in. brass

Cabinet
furniture-grade hardwoods and Birch plywood

Black instrument
grade finish; mounts on standard mic stand

Timbre
2 continuous rotary controls for waveform and brightness

Pitch Range
5 octaves (3 above and 2 below middle C)

Pitch
rotary control, for adjusting the response of the pitch antenna

Volume
rotary control, for adjusting the response of the volume antenna

Waveform
rotary control, for adjusting the waveform of the audio output

Brightness
rotary control, for adjusting the brightness of the audio output

Antenna Connectors
threaded connectors which allow the antennas to be removed for travel

LIST PRICE: RM1,600

MULTIVOX BIG JAM SE-7 DELAY MACHINE

Made in Japan
Analog delay & reverb
Power Requirements: 9V DC regulated
Missing battery cover as pictured below
Made in the early 1980's
Box & manual not included

Great range of sound from slapback echo to infinite repeat drones to lush spring reverb

Big Jam was produced by the Multivox, an American company formed in the mid '70's who marketed Japanese-made keyboards whose designs were very similar to more popular manufacturers (especially Roland). They faded into synth history by the early 80's.

They were famous for their Tape-Echo machines, analog delay & reverb rack units and the Little David, which was a Leslie simulator that looked like a miniature Leslie cabinet.

RM399

EBS OCTABASS TRIPLE MODE OCTAVE DIVIDER

Dead mint condition
Comes with box & manual

The EBS OctaBass is a first-class, all-analog octave divider. It creates a single note one octave below the pitch of the note you play, even recognizing two- or three-note chords. The incredibly fast tracking circuitry lets you play at the speed you want, not at the speed the divider will allow. It has Normal and Octave level knobs as well as a switch that lets you select from three modes: High (synth), Mid (classic divider), and Low (sub-shaking lows).

Specifications
Nominal Input Level -8 dBv
Input Impedance 200 Kohms
Dry Bandwidth (+0/-2dB): 20-20kHz
Dry Level (min/max): -oo/0dB
Octaver Bandwidth (+0/-3dB): 10-110Hz
Octaver Level Gain (min/max): -oo/12dB min
Octaver Filter Slope: 18dB/oct.
Low Pass Triggering Threshold: -70dBv @200Hz

Features
Analog octave divider
3 divider modes: High (synth), Mid (classic divider) & Low (sub-shaking lows)
Recognizes 2 or 3 note chords
Fast tracking
Normal and Octave level knobs

RM499

ROLAND RE-201 SPACE ECHO

Recently serviced & in good condition

The Roland RE-201, commonly known as the Space Echo, is an audio analog delay effects unit.

A tape echo device records incoming audio to a loop of magnetic tape, then replays the audio over a series of several playback heads before it is erased again by new incoming audio. The tape used in the RE-201 is the standard 1/4" tape of the open-reel variety, but made as one, continuous loop. In the Roland 'RE' range there are no reels of any kind, the tape is transported via a capstan drive. The tape loop is contained in a loose, constantly moving jumble in the tape chamber (also known as the tape tank) under a plastic panel which protects the tape and keeps it from getting tangled.

There are several control dials on the device that alter such aspects as tape speed, repeat pattern (an 11-position rotary switch), one instrument and two microphone inputs, a single analog backlit VU meter for all three inputs, wet/dry mix for both echo and reverb, and intensity (number of repeats; in a sense, it actually reduces how much the erase/record head erases the tape), that can be adjusted to a user's liking; and bass/treble controls to EQ the sound, as well as dry and effected "Echo" output jacks with a switch for output setting (-10, -20, -35db levels.)

Used as a delay / echo, the Roland RE-201 is said to produce an unpredictable delay that is warm and gritty sounding. It is also capable of producing a large variety of its own sound effects, even without an input signal (by turning the intensity control to maximum and allowing the unit to self-regenerate, or self-oscillate, while manipulating the tape speed and other controls).

The Roland RE-201 was used by musicians like David Gilmour (Pink Floyd) and Randy Rhoads (Ozzy Osbourne).

Despite its age, the Roland RE-201 is widely sought after, and still used by many bands to this day, notably in the experimental work of Radiohead, and the rockabilly stylings of Brian Setzer, the latter using one recently to get the slapback sound sought after for rockabilly and such styles of music.

e-mail your offer to awakeningkl@gmail.com

BOSS OC-2 OCTAVER (MIJ)

Satisfactory condition (lotsa scuffs & scratches but works fine)
MIJ black label
Earlier version of the pedal. Later versions were labelled "Octave"
Box & manual not included

The OC-2 was sold from April 1982 to September 2003.

Specifications
Controls: Octave 1 Level (Oct 1), Octave 2 Level (Oct 2), Direct Level
Connectors: Input, Output, AC Adaptor
Current Draw: 4 mA (DC 9V)
Weight: 400 g (15 oz.)

RM499

BOSS BF-2 FLANGER (MIJ)

Satisfactory condition (lotsa scuffs & scratches but works fine)
MIJ green label (circa 1984 to 1990)
This is the arlier version (all black knobs)
Box & manual not included

The BF-2 was sold from June 1980 to December 2001.

Specifications
Controls: Manual, Depth, Rate, Res
Connectors: Input, Output, AC Adaptor
Current Draw: 15 mA (DC 9V)
Weight: 400 g (15 oz.)
Input Impedance: 470 kOhm
Residual Noise Level: -95dBu (IHF-A)
Recommended Load Impedance: 10kOhm or greater
Delay Time: 1 ms ~ 13 ms
LFO Speed: 100 ms ~ 16 s

RM399

BOSS DM-2 DELAY

Satisfactory condition (lotsa scuffs & scratches but works fine)

MIJ black label

Box & manual not included

This analog delay pedal is able to produce delay times ranging from 30 to 330 Milliseconds. It's got three dials with adjustments for Repeat Rate, Intensity, and Echo. This effect draws a lot of current so not all power supplies are able to power up this pedal.

The DM-2 was sold from June 1981 to February 1984.

Specifications
Controls: Repeat Rate, Echo, Intensity
Connectors: Input, Output, AC Adaptor
Current Draw: 11 mA (DC 9V)
Weight: 450g
Input Impedance: 470kOhm
Output Impedance: Over 10kOhm
Residual Noise Level: -100dBm (IHF-A)
Delay Time: 20ms-300ms

e-mail your offer to awakeningkl@gmail.com

ELECTRO HARMONIX POG (POLYPHONIC OCTAVE GENERATOR)

Showroom unit. Never been gigged
Box & warranty card included
18DC-500 power supply adaptor included
A few scratches & scuffs but generally in good condition

Polyphonic octave generator. You can add one octave up, two octaves up, and one octave down and blend all of them together with straight-through signal. WORKS ON CHORDS. Want your guitar to sound like a 12 string? The POG can do it, or even make it sound like an 18 string. And the POG can do a lot more than that. Destined to be a legendary EHX classic.

More info & sound clips available here

RM1,450 negotiable

MARSHALL SHREDMASTER

Satisfactory condition

Not in production any longer & very much sought after
No box & manual
Made in England
Notable users include Kevin Shields, Johnny Greenwood & Thom Yorke

This sadly discontinued stomper is truly one of the greats and deserves a re-issue! Despite being be out of production for a number of years, this unit has always enjoyed a rabid and enthusiastic following. Typical gain and output knobs handle distortion amounts while a treble, bass, and a contour knob take care of tonal duties. The Shredmaster was alway billed as a Marshall in a box, and while this is true at some settings, the scope and range of this pedal goes far beyond than that. Mellow settings recall the glory days of Bluesbreaker-era Clapton while extreme setting pull off Radiohead-like crunch. Split the difference and you'll hear shades of everything from singing sustain of Gary Moore to the valvey bite of My Bloody Valentine. The housing is thick and sturdy and the knobs are nice and tacky. We seen a few sticky switches on a few of these old Marshalls but we always brought them back to life with a little contact cleaner.

RM899

PSK WP-100 WAH WAH

Excellent condition
Made in Korea
Box & manual not included
Check out reviews of this pedal here

RM150 negotiable

BOSS NF-1 NOISE GATE

Good condition

All parts are original

No box & manual included

Made in Japan (black label - see pic below)

The NF-1 is a noise eliminator like the later NS-2. Adjust the Sens knob to the threshold level where you want the pedal to cut off and adjust the Decay knob to how fast you want the sound to disappear. It's not going to get much easier than that. The NF-1 should by normal conventions be called NG-1, but NG could be interpreted as No Good so NF-1 for Noise Filter was chosen instead.

The NF-1 Noise Gate cuts the annoying noise and hum that can be generated when pausing during a performance. The NF-1 is equipped with a sensitivity control for adjusting the gating threshold in accordance to the ratio of noise to signal. A Decay control is also included for setting the length of decay for each note before the gate cuts in, while a wide 100msec to 1.6 second decay time control range allows the NF-1to be used with virtually any musical instrument from guitars to keyboards. Ideal for eliminating the internal noise generated by musical instruments and other electrical or electronic equipments and the hum picked up by wires, the NF-1 can also be effectively used to shut out external noise from lighting fixtures, etc.

Specifications
Controls: Sens, Decay
Connectors: Input, Output, AC Adaptor
Current Draw: 3.9 mA (DC 9V)
Weight: 400 g (14 oz)
Input Impedance: 470kOhm
Recommended Load Impedance: 10kOhm or more
Recommended AC Adaptor: ACA Series

The NF-1 was sold from February 1979 to May 1988.

RM299

SNARLING DOGS TWEED E DOG VINTAGE AMERICAN TUBE EMULATOR

Very good condition

Whether you have a modern British or US high gain amp setup, or just yearn for those vintage tweed and black panel tones, the Tweed E. Dog is for you. Expand your channel switching options with this 6L6 vacuum tube overdrive emulator. This box faithfully reproduces that “cranked up” sweet overdriven warmth of those popular tube amps made in the US during the 1950s and 60s. Crisp highs, deep bottoms, over the top sustain, and unparalleled dynamic response.

RM299

IBANEZ PT-9 PHASER

Rare & vintage 1980’s Ibanez phaser pedal
Made in Japan
Box & manual not included
Satisfactory condition

e-mail your offer to awakeningkl@gmail.com

ROSS CHORUS

Rare & vintage 1980’s Ross chorus pedal
Box, manual & adaptor not included
Good condition

RM499 negotiable