Tuesday, January 22, 2008

ROLAND RE-201 SPACE ECHO

Recently serviced & in good condition

The Roland RE-201, commonly known as the Space Echo, is an audio analog delay effects unit.

A tape echo device records incoming audio to a loop of magnetic tape, then replays the audio over a series of several playback heads before it is erased again by new incoming audio. The tape used in the RE-201 is the standard 1/4" tape of the open-reel variety, but made as one, continuous loop. In the Roland 'RE' range there are no reels of any kind, the tape is transported via a capstan drive. The tape loop is contained in a loose, constantly moving jumble in the tape chamber (also known as the tape tank) under a plastic panel which protects the tape and keeps it from getting tangled.

There are several control dials on the device that alter such aspects as tape speed, repeat pattern (an 11-position rotary switch), one instrument and two microphone inputs, a single analog backlit VU meter for all three inputs, wet/dry mix for both echo and reverb, and intensity (number of repeats; in a sense, it actually reduces how much the erase/record head erases the tape), that can be adjusted to a user's liking; and bass/treble controls to EQ the sound, as well as dry and effected "Echo" output jacks with a switch for output setting (-10, -20, -35db levels.)


Used as a delay / echo, the Roland RE-201 is said to produce an unpredictable delay that is warm and gritty sounding. It is also capable of producing a large variety of its own sound effects, even without an input signal (by turning the intensity control to maximum and allowing the unit to self-regenerate, or self-oscillate, while manipulating the tape speed and other controls).

The Roland RE-201 was used by musicians like David Gilmour (Pink Floyd) and Randy Rhoads (Ozzy Osbourne).

Despite its age, the Roland RE-201 is widely sought after, and still used by many bands to this day, notably in the experimental work of Radiohead, and the rockabilly stylings of Brian Setzer, the latter using one recently to get the slapback sound sought after for rockabilly and such styles of music.

e-mail your offer to awakeningkl@gmail.com

BOSS OC-2 OCTAVER (MIJ)

Satisfactory condition (lotsa scuffs & scratches but works fine)
MIJ black label
Earlier version of the pedal. Later versions were labelled "Octave"
Box & manual not included

The OC-2 was sold from April 1982 to September 2003.

Specifications
Controls: Octave 1 Level (Oct 1), Octave 2 Level (Oct 2), Direct Level
Connectors: Input, Output, AC Adaptor
Current Draw: 4 mA (DC 9V)
Weight: 400 g (15 oz.)

RM499


BOSS BF-2 FLANGER (MIJ)

Satisfactory condition (lotsa scuffs & scratches but works fine)
MIJ green label (circa 1984 to 1990)
This is the arlier version (all black knobs)
Box & manual not included

The BF-2 was sold from June 1980 to December 2001.

Specifications
Controls: Manual, Depth, Rate, Res
Connectors: Input, Output, AC Adaptor
Current Draw: 15 mA (DC 9V)
Weight: 400 g (15 oz.)
Input Impedance: 470 kOhm
Residual Noise Level: -95dBu (IHF-A)
Recommended Load Impedance: 10kOhm or greater
Delay Time: 1 ms ~ 13 ms
LFO Speed: 100 ms ~ 16 s

RM399



BOSS DM-2 DELAY

Satisfactory condition (lotsa scuffs & scratches but works fine)
MIJ black label
Box & manual not included

This analog delay pedal is able to produce delay times ranging from 30 to 330 Milliseconds. It's got three dials with adjustments for Repeat Rate, Intensity, and Echo. This effect draws a lot of current so not all power supplies are able to power up this pedal.

The DM-2 was sold from June 1981 to February 1984.

Specifications
Controls
: Repeat Rate, Echo, Intensity
Connectors: Input, Output, AC Adaptor
Current Draw: 11 mA (DC 9V)
Weight: 450g
Input Impedance: 470kOhm
Output Impedance: Over 10kOhm
Residual Noise Level: -100dBm (IHF-A)
Delay Time: 20ms-300ms


e-mail your offer to awakeningkl@gmail.com